Enemy at the Gates - Jean Jacques Annaud
2001 - trailer
Thursday, October 26, 2006
Wednesday, October 25, 2006
Chris O'Shea - Sonicforms installation
sonicforms - an open source research platform for developing tangible interfaces for audio visual environments
by Chris O'Shea
George O. Stadnik - Lumia Artist
George O.Stadnik - Lumia Artist "The science and art of light are my sources of inspiration. Curiosity, discovery, imagination, creativity and discipline transform my dreams into reality
" - Creates optical lumia, Lumia Projectors and Digital Lumia
CALL FOR WORKS - MuVi
CALL FOR WORKS - MuVi: moving image on synesthesia and visual music
"MuVi: International exhibition of video and moving image on synesthesia
and visual music"
Deadline for submissions: 30 November 2006
Download of the Text and Forms of the Call in:
http://www.sinestesie.it/main_fs.php?page=NewsEventi/
MuVi - Call for international exhibition on synesthesia and visual music
Next updatings in:
www.sinestesia2007.info
INTERNATIONAL EXHIBITION OF VIDEO AND MOVING IMAGE ON SYNESTHESIA AND VISUAL MUSIC
PALACIO DE LOS CONDES DE GABIA, GRANADA, SPAIN, 28 APRIL - 1 MAY 2007
CALL FOR KINETIC WORKS
MuVi (Visual Music) invites artists, musicians, designers and performers,
also professors and
university students, to submit proposals of kinetic works to be part of a
public exhibition, with
performances and discussions. Visual Music exhibition is part of the Second
International Congress "Synaesthesia: Science & Art", to be held from the
28th April to the 1st of May 2007, Palacio de Exposiciones y Congresos, in
Granada, Spain.
DEADLINE FOR SUBMISSIONS
Latest date for submissions is 30 November 2006 (date of postage).
TOPIC
The topic of the exhibition is visual music and synesthesia. For "visual
music", we intend every representation to be only visual or audiovisual, suggested by the music.
The correspondences between the visual and music can be the results of
synesthetic perceptions (the visuals are the mental images suggested by the
music); or the correspondences can be the result of studies on the
analogies between the visual and musical languages (rhythms, tonality,
texture, colours, etc.). The support of a narrative thread is not required.
WHO CAN PARTICIPATE?
The call is for two categories of participants:
. Participant A: professionals (artists, musicians, designers and performers)
. Participant B: university (professors, students, or graduated within the
last 12 months).
WHAT CAN YOU SUBMIT?
Any Moving Image (video, animations, etc.) - only visual kinetic work,
audiovisual, or interactive
- is eligible for submission. University professors can submit a collection
of didactic works. Students, one or more works, produced in an university
course.
The work does not have to be published and must be free from copyrights.
HOW TO MAKE SUBMISSIONS
Digital work can be submitted on CD-ROM. The files with the works can be
in the following
formats: .MOV, .AVI, .MPEG, .SWF. For other formats, send your questions
to: info@artecitta.es, or info@sinestesie.it . Each work, or collection of
works, must be accompanied with the appropriate "Entry Form" completed.
Please do not send DVDs or videotapes.
We cannot return CDs.
WHAT ARE THE FEES?
The fee is kept to an absolute minimum, and is used only to finance the
organisation of the project.
All works selected for exhibition will be published on a DVD free of any
further charges.
Entry fee for each work (or collection):
- 50 Euro (Participant A)
- 30 Euro (Participant B1/B2)
(Account: n. 2031 0161 27 01158 17408, "Fond MuVi 2006, YOUR NAME".
Titular: Fun. Int. Arte Città. Bank Caja Granada. IBAN: ES19 2031 0161 2701
1581 7408)
Terms and conditions
The 20 best works received will be admitted to the exhibition (10 for the
Participant A category and 10 for Participant B). The best 80 works (with
their descriptions), will be published on a DVD. For this, the works do
not have to be published and free from copyrights.
The selection of the works will be edited by the Exposition committee.
All participants will be informed about the Exposition Committee decision
by E-Mail by 31st
January 2007.
EXPOSITION COMMITTEE
Dina Riccò (Indaco Department, Faculty of Design, Politecnico di Milano,
Italy)
María José de Córdoba (Fundación Internacional Artecittà, Granada)
Luca Curci (International ArtExpo, Italy)
Juan Carlos Sanz (Professor of Diseño y Comunicación Visual, Madrid)
Tremedad Gnecco Suarez (Faculty of Ciencias de la Educación, University of
Granada).
Carlos Villalobos (Faculty of Bellas Arte, Granada)
Comisión valoración artística (Palacio de los Condes de Gabia, Diputación
de Granada)
YOUR SUBMISSION HAS TO INCLUDE:
1. One "Entry form" for each work (send by email to: info@artecitta.es and
info@sinestesie.it)
2. One package with CD ROM (with the file of the work), one Entry form for
each work printed
and signed, and the payment form (send to: Artecittà, at the address below).
"Participant A" Submissions are to be sent to:
International Foundation Artecittà
C/Alhamar n. 30, 1° - 18004, Granada, Spagna
"Partecipant B" Submissions are to be sent to:
Prof. Dina Riccò, Politecnico di Milano, Faculty of Design
Via Durando 38/a - 20158, Milano, Italy
Any questions are to be directed to:
info@artecitta.es or info@sinestesie.it; also, see the web site:
www.sinestesia2007.info.
MUVI. INTERNATIONAL EXHIBITION
Direction and coordination: Dina Riccò (Politecnico di Milano)
Organization: María José de Córdoba (Fundación Internacional Artecittà)
With the support of: Comisión valoración artística (Palacio de los Condes
de Gabia, Granada).
Patronized by: Ayuntamiento de Cuevas del Almanzora (Almeria),
Ayuntamiento de Granada,
Diputación de Granada, Ministerio de Cultura of the Spain, Politecnico di
Milano (Faculty of Design),
Unesco, Universidad de Granada (Faculty of Farmacia, Psicología, Filosofía
y Letras, Ciencias de la Educación,
Bellas Artes). With the contribution of: Ediciones Jizo, Extramuros Revista
Literaria.
"MuVi: International exhibition of video and moving image on synesthesia
and visual music"
Deadline for submissions: 30 November 2006
Download of the Text and Forms of the Call in:
http://www.sinestesie.it/main_fs.php?page=NewsEventi/
MuVi - Call for international exhibition on synesthesia and visual music
Next updatings in:
www.sinestesia2007.info
INTERNATIONAL EXHIBITION OF VIDEO AND MOVING IMAGE ON SYNESTHESIA AND VISUAL MUSIC
PALACIO DE LOS CONDES DE GABIA, GRANADA, SPAIN, 28 APRIL - 1 MAY 2007
CALL FOR KINETIC WORKS
MuVi (Visual Music) invites artists, musicians, designers and performers,
also professors and
university students, to submit proposals of kinetic works to be part of a
public exhibition, with
performances and discussions. Visual Music exhibition is part of the Second
International Congress "Synaesthesia: Science & Art", to be held from the
28th April to the 1st of May 2007, Palacio de Exposiciones y Congresos, in
Granada, Spain.
DEADLINE FOR SUBMISSIONS
Latest date for submissions is 30 November 2006 (date of postage).
TOPIC
The topic of the exhibition is visual music and synesthesia. For "visual
music", we intend every representation to be only visual or audiovisual, suggested by the music.
The correspondences between the visual and music can be the results of
synesthetic perceptions (the visuals are the mental images suggested by the
music); or the correspondences can be the result of studies on the
analogies between the visual and musical languages (rhythms, tonality,
texture, colours, etc.). The support of a narrative thread is not required.
WHO CAN PARTICIPATE?
The call is for two categories of participants:
. Participant A: professionals (artists, musicians, designers and performers)
. Participant B: university (professors, students, or graduated within the
last 12 months).
WHAT CAN YOU SUBMIT?
Any Moving Image (video, animations, etc.) - only visual kinetic work,
audiovisual, or interactive
- is eligible for submission. University professors can submit a collection
of didactic works. Students, one or more works, produced in an university
course.
The work does not have to be published and must be free from copyrights.
HOW TO MAKE SUBMISSIONS
Digital work can be submitted on CD-ROM. The files with the works can be
in the following
formats: .MOV, .AVI, .MPEG, .SWF. For other formats, send your questions
to: info@artecitta.es, or info@sinestesie.it . Each work, or collection of
works, must be accompanied with the appropriate "Entry Form" completed.
Please do not send DVDs or videotapes.
We cannot return CDs.
WHAT ARE THE FEES?
The fee is kept to an absolute minimum, and is used only to finance the
organisation of the project.
All works selected for exhibition will be published on a DVD free of any
further charges.
Entry fee for each work (or collection):
- 50 Euro (Participant A)
- 30 Euro (Participant B1/B2)
(Account: n. 2031 0161 27 01158 17408, "Fond MuVi 2006, YOUR NAME".
Titular: Fun. Int. Arte Città. Bank Caja Granada. IBAN: ES19 2031 0161 2701
1581 7408)
Terms and conditions
The 20 best works received will be admitted to the exhibition (10 for the
Participant A category and 10 for Participant B). The best 80 works (with
their descriptions), will be published on a DVD. For this, the works do
not have to be published and free from copyrights.
The selection of the works will be edited by the Exposition committee.
All participants will be informed about the Exposition Committee decision
by E-Mail by 31st
January 2007.
EXPOSITION COMMITTEE
Dina Riccò (Indaco Department, Faculty of Design, Politecnico di Milano,
Italy)
María José de Córdoba (Fundación Internacional Artecittà, Granada)
Luca Curci (International ArtExpo, Italy)
Juan Carlos Sanz (Professor of Diseño y Comunicación Visual, Madrid)
Tremedad Gnecco Suarez (Faculty of Ciencias de la Educación, University of
Granada).
Carlos Villalobos (Faculty of Bellas Arte, Granada)
Comisión valoración artística (Palacio de los Condes de Gabia, Diputación
de Granada)
YOUR SUBMISSION HAS TO INCLUDE:
1. One "Entry form" for each work (send by email to: info@artecitta.es and
info@sinestesie.it)
2. One package with CD ROM (with the file of the work), one Entry form for
each work printed
and signed, and the payment form (send to: Artecittà, at the address below).
"Participant A" Submissions are to be sent to:
International Foundation Artecittà
C/Alhamar n. 30, 1° - 18004, Granada, Spagna
"Partecipant B" Submissions are to be sent to:
Prof. Dina Riccò, Politecnico di Milano, Faculty of Design
Via Durando 38/a - 20158, Milano, Italy
Any questions are to be directed to:
info@artecitta.es or info@sinestesie.it; also, see the web site:
www.sinestesia2007.info.
MUVI. INTERNATIONAL EXHIBITION
Direction and coordination: Dina Riccò (Politecnico di Milano)
Organization: María José de Córdoba (Fundación Internacional Artecittà)
With the support of: Comisión valoración artística (Palacio de los Condes
de Gabia, Granada).
Patronized by: Ayuntamiento de Cuevas del Almanzora (Almeria),
Ayuntamiento de Granada,
Diputación de Granada, Ministerio de Cultura of the Spain, Politecnico di
Milano (Faculty of Design),
Unesco, Universidad de Granada (Faculty of Farmacia, Psicología, Filosofía
y Letras, Ciencias de la Educación,
Bellas Artes). With the contribution of: Ediciones Jizo, Extramuros Revista
Literaria.
Sunday, October 22, 2006
Nancy Herman - Colors moving in time to music
What Might Have Been
Nancy Herman - "Colors moving in time to music"
Nancy Herman - "Colors moving in time to music"
Joel Cadman - Spinning Lights
Spinning Lights #128 Smoke
Spinning Lights #128 - Joel Cadman - Video Feedback
Spinning Lights #128 - Joel Cadman - Video Feedback
Saturday, October 21, 2006
Yugop
Submitted by Conor Hinfey
Yugop - A variety of interactive studies and works created by Yugo Nakamura for his MONO*crafts project.
Yugop - A variety of interactive studies and works created by Yugo Nakamura for his MONO*crafts project.
Orwell - Music Video - Toutes les nouvelles parlent d'hier
Submitted by Julien Lonchamp
Music Video for band Orwell - "Toutes les nouvelles parlent d'hier". Select m for medias and scroll to select Toutes les nouvelles parlent d'hier. The band place themselves inside well known album covers.
Music Video for band Orwell - "Toutes les nouvelles parlent d'hier". Select m for medias and scroll to select Toutes les nouvelles parlent d'hier. The band place themselves inside well known album covers.
The Thief of Baghdad - 1940
The Thief of Baghdad - 1940 - UK
Thief of Bagdad (1940, UK)
"The Academy Award for Special Effects (photographic and sound) was awarded to this film. Associate producer William Cameron Menzies designed some of the rich special effects for this imaginative Arabian Nights fantasy film produced by Alexander Korda, a loose remake of the original Douglas Fairbanks silent classic of 1924; they included a flying magic carpet, a six-armed mechanical assassin, a toy horse that could fly, poor Bagdad thief Abu's (15 year-old Sabu) battle with a giant spider in its huge web, and the sight of 50 foot tall genie or Djinni (Rex Ingram) in a tiny bottle. Special "http://www.filmsite.org/visualeffects2.html
Thief of Bagdad (1940, UK)
"The Academy Award for Special Effects (photographic and sound) was awarded to this film. Associate producer William Cameron Menzies designed some of the rich special effects for this imaginative Arabian Nights fantasy film produced by Alexander Korda, a loose remake of the original Douglas Fairbanks silent classic of 1924; they included a flying magic carpet, a six-armed mechanical assassin, a toy horse that could fly, poor Bagdad thief Abu's (15 year-old Sabu) battle with a giant spider in its huge web, and the sight of 50 foot tall genie or Djinni (Rex Ingram) in a tiny bottle. Special "http://www.filmsite.org/visualeffects2.html
Project Bifid - installation
Shimmer - architect Alisa Andrasek and artist Beth Coleman and Howard Goldkrand - installtion . Project Bifid "For Bifid (2005), Alisa Andrasek collaborated with materials specialist Mary Boone Wellington to produce a field of polycarbonate ribbon structures that emerge from the floor and ceiling. Infinitely variable by way of their algorithmic origin, the weaving patterns of this fabric reverberate throughout the gallery, oscillating in density and complexity.
". ,,, Project "Beth Coleman and Howard Goldkrand's sculpture Waken (2005) builds across a network of signals in an installation of tendon-like bio-dynamic materials and audio speakers. Using a generative code that emulates the movement of bees in nature, the artists create a "sonic prairie" characterized by diversity, accident, and spontaneous growth.
"
James Seo - Interior
Multiple Points of view
James Seo - US - He wants to explore how to use digital media and technologies to visually represent and synthesize multiple points of view and points in time.
James Seo - US - He wants to explore how to use digital media and technologies to visually represent and synthesize multiple points of view and points in time.
Yoshiyuki Komatsu - Roundscape
Power Graphixx - Roundscape - Yoshiyuki Komatsu's Roundscape is a landscape movie made with a horizontal framework inspired by an ancient Japanese art form called "EMAKI." This work has been selected as the Adjudicator's Recommendation at the Japan Media Arts Festival.
Nell Breyer and Jonathan Bachrach - push and MIT - imove
Exploring the "bottlenecks of human motion"
Nell Breyer and Jonathan Bachrach - Push and MIT - i:movie. "I:move is a performance / installation series that explores how we perceive movement. It embeds daily activities into formal choreography and is being developed for public spaces that are bottlenecks of human motion"
Nell Breyer and Jonathan Bachrach - Push and MIT - i:movie. "I:move is a performance / installation series that explores how we perceive movement. It embeds daily activities into formal choreography and is being developed for public spaces that are bottlenecks of human motion"
Viking Eggeling - Syphonie Diagonale
Symphonie Diagonale by Viking Eggeling
Don't know who has scored the music for this version of the video - put the music to silent!
Don't know who has scored the music for this version of the video - put the music to silent!
Sheri Wills - Integrated music and video - US
Sheri Wills - integrated music and video
Sheri Wills is an artist whose work is based in film, sound and digital media.
She curated a program of films called "Synesthesia: The Musical Form in Avant-Garde Film"
Metaman, for Violin with Digital Sound and Video (2009) Video by Sheri Wills Music by Charles Norman Mason from Karen Bentley Pollick on Vimeo.
Scott Draves - Kunstformen
Scott Draves - kunstformen - black and white dub. "The animation is made from a series of 100 lithographs entitiled "Kunstformen der Natur", German for "Artforms of Nature", created by Ernst Haeckel in 1899-1904. "
Scott Draves - Dub Visuals
Scott Draves - Dub Visuals
"The original images come from historic Islamic arabesques. They were carved in plaster and wood, painted, and mounted in actual buildings in Andalusia and Morocco. These ancient artworks were photographed, printed in a book, scanned into a computer, adjusted with Photoshop, and animated with After Effects. Each step in the journey has left its tell-tale mark, from the lighting of the original photograph to the mask of the printer to the blocky pixels of the digital zoom. "
Spot aka Scott Draves
Spot aka Scott Draves - Dreams in High Fidelity - A painting that evolves. Software artist residing in San Francisco US
Scott created Bomb: a visual musical instrument based on artificial life in 1996. Check it out at:
http://draves.org/bomb/
MOOVLAB - NON-NARRATIVE CONCEPTUAL ARTS CHANNEL
MOOVLAB Philadelphia - high-definition non-narrative conceptual arts channel devoted to showcasing 24-hours a day of creative video art and experimental films.
Gunvar Nelson - Film/ Video Artist - US - Sweeden
Gunvor Nelson - Film Video Artist
"Gunvor Nelson Retrospective: Personal Lens -October 20–23, 2006 [MoMA - New York]
This exhibition of work by film and video pioneer Gunvor Nelson spans four decades and offers a rare opportunity to experience the accumulated impact of Nelson's artistic vision. Her poetically expansive life's work-created in both San Francisco, her home and workplace for over thirty years, and her native Sweden, where she has resettled-has consistently, often courageously, privileged her subjective gaze and individual experience. Nelson relentlessly refuses predictability (and succeeds) in her search for a true relation between project and form. Among the most experimental of artists, Nelson illuminates such elusive and intimate subjects as childhood, aging, displacement, memory, women's roles, death, and the symbolic forces of nature and water via a potent exploration of the possibilities of sound and moving image. Her ephemeral, dreamlike images are simultaneously tactile and almost tangible, while her imaginative use of language and traces of music add considerably to the emotional impact of her works. Filmic collage and dynamic editing create tension and contrast. The unique characteristics of Nelson's works form less a definable style than a sustained aesthetic.
Organized by Jytte Jensen, Curator, Department of Film."
Wednesday, October 18, 2006
Walter Ruttmann
Walter Ruttmann - Lichtspiel Opus I
Experimental animation directed by Walter Ruttmann, 1921. The Original Film was silent but the film was scored for music, with music composed by Max Butting
Experimental animation directed by Walter Ruttmann, 1921. The Original Film was silent but the film was scored for music, with music composed by Max Butting
Viking Eggeling - Symphonie Diagonale
Symphonie Diagonale by Viking Eggeling
Perhaps turn the volume down...originally a silent film
Perhaps turn the volume down...originally a silent film
Anna Geyer film - aradaptor
Demers/ Geyer - Commissioned by the Piano Optophonique Projectexcerpts from Anna Geyer's film
� ARADAPTOR (I Feel So) �
Tuesday, October 17, 2006
Ben Fry - Genome Valence
Ben Fry's Genome Valence @ FITC
youtube broadcast - quote from youtube "Upon audience request, Ben Fry describes his craaaaazy human genome valence project at FITC2006... built with Processing.
(http://acg.media.mit.edu/peop le/fry/genomevalence/) "
youtube broadcast - quote from youtube "Upon audience request, Ben Fry describes his craaaaazy human genome valence project at FITC2006... built with Processing.
(http://acg.media.mit.edu/peop le/fry/genomevalence/) "
Michael Snow - Wavelength
wavelength (1967)
Michael Snow - Wavelength 1967 - 12 minute excerpt of 45 minute film. Youtube broadcast
Michael Snow - Wavelength 1967 - 12 minute excerpt of 45 minute film. Youtube broadcast
Gyorgy Ligeti - Poème symphonique for 100 metronomes
A performance of Poème symphonique for 100 metronomes was broadcast by ARTE france. The video can be downloaded at UBUWEB, as well as information and transcript from the broadcast
Poème symphonique for 100 metronomes - Gyorgy Ligeti - Video from an ARTE (France) broadcast of Po�me Symphonique for 100 metronomes.
The video can also be viewed on google video
Google Video Broadcast
Poème symphonique for 100 metronomes - Google Video - 8 minutes
(following text from Google video, link above) "Poème symphonique for 100 metronomes has been very rarely performed in public. The complicated scenographic staging, the detailed ... all » preparation by hand, the need for around ten technicians to activate more or less simultaneously the 100 metronomes, makes the demand for performances limited. Thirty-two years after the premiere, the sculptor and installation artist Gilles Lacombe heard a recording of the work. Impressed, he decided to invent a machine able to perform the piece automatically. After six months, he set up this ingenious device. Ever since, Poème symphonique can be performed accurately, at any time, and in public." Video of the perfomace recorded in Rome, presented by an orchestra of 100 performers.
Poème symphonique for 100 metronomes - Gyorgy Ligeti - Video from an ARTE (France) broadcast of Po�me Symphonique for 100 metronomes.
The video can also be viewed on google video
Google Video Broadcast
Poème symphonique for 100 metronomes - Google Video - 8 minutes
(following text from Google video, link above) "Poème symphonique for 100 metronomes has been very rarely performed in public. The complicated scenographic staging, the detailed ... all » preparation by hand, the need for around ten technicians to activate more or less simultaneously the 100 metronomes, makes the demand for performances limited. Thirty-two years after the premiere, the sculptor and installation artist Gilles Lacombe heard a recording of the work. Impressed, he decided to invent a machine able to perform the piece automatically. After six months, he set up this ingenious device. Ever since, Poème symphonique can be performed accurately, at any time, and in public." Video of the perfomace recorded in Rome, presented by an orchestra of 100 performers.
Anton Giulio Bragaglia - Thais - 1916
Link to Google Video Broadcast of:
Thais by Anton Giulio Bragaglia
Futurist Photographer / filmmaker
Thais on Google Video
"Avant-garde film, made using the concepts of the Italian Futurism. Directed by Anton Giulio Bragaglia, screen play by Riccardo Cassano, based on the Anatole France's novel "Thaïs", 1916. French subtitles."
Thais by Anton Giulio Bragaglia
Futurist Photographer / filmmaker
Thais on Google Video
"Avant-garde film, made using the concepts of the Italian Futurism. Directed by Anton Giulio Bragaglia, screen play by Riccardo Cassano, based on the Anatole France's novel "Thaïs", 1916. French subtitles."
Rafael Lozano-Hemmer - Re:Positioning Fear
Re:Positioning Fear - Relational architecture - Rafael Lozano-Hemmer, concept, direction, visuals, text
Thermoesthesia (interactive art)
YouTube Broadcast - "Tokyo University of Agriculture and Technology
Collaborators: Momoko Inose, Rie Tokyo University of Agriculture and Technology
Collaborators: Momoko Inose, Rie Yokomotsu,
Kinya Fujita, Toshiie Kitazawa,
Mototsugu Tamura, Shinji Sasada
Kamakura, Japan
(小牛攝於 Siggraph 2006)"
YouTube Broadcast - "Tokyo University of Agriculture and Technology
Collaborators: Momoko Inose, Rie Tokyo University of Agriculture and Technology
Collaborators: Momoko Inose, Rie Yokomotsu,
Kinya Fujita, Toshiie Kitazawa,
Mototsugu Tamura, Shinji Sasada
Kamakura, Japan
(小牛攝於 Siggraph 2006)"
Thermoesthesia (interactive art)
YouTube Broadcast - "Tokyo University of Agriculture and Technology
Collaborators: Momoko Inose, Rie Tokyo University of Agriculture and Technology
Collaborators: Momoko Inose, Rie Yokomotsu,
Kinya Fujita, Toshiie Kitazawa,
Mototsugu Tamura, Shinji Sasada
Kamakura, Japan
(小牛攝於 Siggraph 2006)"
YouTube Broadcast - "Tokyo University of Agriculture and Technology
Collaborators: Momoko Inose, Rie Tokyo University of Agriculture and Technology
Collaborators: Momoko Inose, Rie Yokomotsu,
Kinya Fujita, Toshiie Kitazawa,
Mototsugu Tamura, Shinji Sasada
Kamakura, Japan
(小牛攝於 Siggraph 2006)"
Thermoesthesia (interactive art)
YouTube Broadcast - "Tokyo University of Agriculture and Technology
Collaborators: Momoko Inose, Rie Tokyo University of Agriculture and Technology
Collaborators: Momoko Inose, Rie Yokomotsu,
Kinya Fujita, Toshiie Kitazawa,
Mototsugu Tamura, Shinji Sasada
Kamakura, Japan
(小牛攝於 Siggraph 2006)"
YouTube Broadcast - "Tokyo University of Agriculture and Technology
Collaborators: Momoko Inose, Rie Tokyo University of Agriculture and Technology
Collaborators: Momoko Inose, Rie Yokomotsu,
Kinya Fujita, Toshiie Kitazawa,
Mototsugu Tamura, Shinji Sasada
Kamakura, Japan
(小牛攝於 Siggraph 2006)"
Thursday, October 12, 2006
Norman McLaren - Neighbours - 8mins - 1952
Google video broadcast
National Film Board of Canada
One of the many short films put out by the National Film Board of Canada. This one was headed by Norman McLaren, in 1952
National Film Board of Canada
One of the many short films put out by the National Film Board of Canada. This one was headed by Norman McLaren, in 1952
Simon Doyle - Music in Similar Motion
Music by Philip Glass, Performed by Alarm Will Sound, Video by Simon Doyle
Images by the Squared Circle Group at Flickr.com
Demo Video online at:
http://video.thewub.com/glass/
Images by the Squared Circle Group at Flickr.com
Demo Video online at:
http://video.thewub.com/glass/
Stan Brakhage - Prelude 5 (1985)
“PRELUDES 1-6 is comprised of six hand-painted and double-frame printed sections of 16mm film: No. 5 is composed of extremely thin-lined colors and sharply delineated shapes which are constantly interrupted by "cloud"-like forms.”
More Resources
http://www.sensesofcinema.com/contents/directors/02/brakhage.html
More Resources
http://www.sensesofcinema.com/contents/directors/02/brakhage.html
Hans Richter - Dreams That Money Can Buy
Experimental Film directed by Hans Richter
"in collaboration with Max Ernst, Jean Cocteau, Paul Bowles, Fernand Leger, Alexander Calder, Marcel Duchamp and others."
"in collaboration with Max Ernst, Jean Cocteau, Paul Bowles, Fernand Leger, Alexander Calder, Marcel Duchamp and others."
Henry Mills - Kino Da (1981)
Video to download at ubuweb:
http://www.ubu.com/film/hills.html
"KINO DA! (1981) is a portrait of North Beach Communist cafe poet & gentle comrade, Jack Hirschman, editor of the "Artaud Anthology" (City Lights). Shot in sync with wind-up Bolex." Source: http://www.henryhills.com/films/kinoda.html
More Resources
http://www.henryhills.com/films/kinoda.html
http://www.ubu.com/film/hills.html
"KINO DA! (1981) is a portrait of North Beach Communist cafe poet & gentle comrade, Jack Hirschman, editor of the "Artaud Anthology" (City Lights). Shot in sync with wind-up Bolex." Source: http://www.henryhills.com/films/kinoda.html
More Resources
http://www.henryhills.com/films/kinoda.html
Sound - John Cage and Kirk Roland 1966
avant garde minimalist jazz music performance noise experimental film
Further Resources:
http://www.ubu.com/film/cage.html
This site also provides a link to download "Sound"
Wednesday, October 11, 2006
Abelardo Morell - Camera Osbscura - Photographer (US
Abelardo Morell - Photographer (US) - Abelardo Morell makes magical camera obscura images in darkened interiors. The simple process -- he blacks out all the windows, leaving just a pinhole opening in one of them -- produces photographs of complex beauty. The world outside is projected upside down into the room which he then photographs using long exposures. (Abelardo Morell, Bulfinch Press)
http://memberpictures.aol.com/aolvisions/ipcamera and http://www.abelardomorell.net/about.html
Lumiére Brothers - The Arrival of a train at la Ciotat Station - 1895
The Arrival of a train at la Ciotat Station - 1895
L'Arrivée d'un train en la Gare de la Ciotat
Google video broadcast
"Filmed in 1895, it was first shown to a paying audience in Paris, France on January 6, 1896. The 50-second silent film captures the entry of a steam locomotive into the train station in the French coastal town of la Ciotat. Like most of the other early Lumière films, L'Arrivée d'un train consists of a single, unedited "view" illustrating an aspect of everyday life...
The story goes that when the film was first shown, the audience was so overwhelmed by the moving image of a life-sized train coming directly at them that people screamed and ran to the back of the room."
Source text:
Wikopedia
YouTube Broadcast
http://www.youtube.com/watch?v=1dgLEDdFddk&search=ciotat
L'Arrivée d'un train en la Gare de la Ciotat
Google video broadcast
"Filmed in 1895, it was first shown to a paying audience in Paris, France on January 6, 1896. The 50-second silent film captures the entry of a steam locomotive into the train station in the French coastal town of la Ciotat. Like most of the other early Lumière films, L'Arrivée d'un train consists of a single, unedited "view" illustrating an aspect of everyday life...
The story goes that when the film was first shown, the audience was so overwhelmed by the moving image of a life-sized train coming directly at them that people screamed and ran to the back of the room."
Source text:
Wikopedia
YouTube Broadcast
http://www.youtube.com/watch?v=1dgLEDdFddk&search=ciotat
Dickson Experimental Sound Film - 1895
Dickson Experimental Sound Film (1895)
W.K.L. Dickson plays the violin in front of a horn connected to a cylinder recording machine. Frames from early experimental attempt to create sound motion pictures by the Edison Manufacturing Company.
W.K.L. Dickson plays the violin in front of a horn connected to a cylinder recording machine. Frames from early experimental attempt to create sound motion pictures by the Edison Manufacturing Company.
Golan Levin - Messa di Voce
Golan Levin - Messa di Voce
Youtube broadcast - "An Audiovisual Performance & Installation
for Voice and Interactive Media
by Golan Levin and Zach Lieberman
with Jaap Blonk and Joan La Barbara
Created Summer 2003
http://www.tmema.org/messa/"
Youtube broadcast - "An Audiovisual Performance & Installation
for Voice and Interactive Media
by Golan Levin and Zach Lieberman
with Jaap Blonk and Joan La Barbara
Created Summer 2003
http://www.tmema.org/messa/"
Tuesday, October 10, 2006
Monday, October 9, 2006
Grocery Store Wars
An organic food parody of Star Wars animated. The rebellion begins against the dark side. An organic food parody of Star Wars animated. The rebellion begins against the dark side.
broadcast by veoh
broadcast by veoh
Grocery Store Wars
An organic food parody of Star Wars animated. The rebellion begins against the dark side. An organic food parody of Star Wars animated. The rebellion begins against the dark side.
broadcast by veoh
broadcast by veoh
Friday, October 6, 2006
Thursday, October 5, 2006
Somadrone - Neil O Connor - Ireland
Live Performance of Neil O'Connor's (of Somadrone) video and music.
Video at myspace.com
Get this video and more at MySpace.com
Check out somadrone on myspace at:
http://www.myspace.com/iamsomadrone
Video at myspace.com
Get this video and more at MySpace.com
Check out somadrone on myspace at:
http://www.myspace.com/iamsomadrone
Kate McKeon - Carnival - Video and Music
Kate McKeon's video and music piece carnival is presented by Kate on YouTube
Carnival
Kate McKeon, Carnival Video and Music
Worth checking out her music and other videos at:
http://www.myspace.com/katemckeon
Carnival
Kate McKeon, Carnival Video and Music
Worth checking out her music and other videos at:
http://www.myspace.com/katemckeon
VJTheory.net - About the book
"a community actively discussing and reflecting on philosophy and theory related with Vjing and realtime interaction."
VJTheory.net
Sergio Maltagliati - Automated Interactive Net Visual Music
"After his studies of music (Conservatory "Luigi Cherubini" of Florence), he began to paint, creating a new method of writing music where the score becomes a visual composition."
from his biography online at:
http://www.visualmusic.it/biography.htm
VisualMusic - Automated Interactive Net Visual Music
Article: Metaprogramming Emergent Graphics by Scott Draves
Article: Metaprogramming Emergent Graphics is presented in this webpage.
It was originally published in the ylem journal (US) Artists using science and tecnology. There is an archive of the journal in pdf format at:
http://www.ylem.org/Journal/2000MayJune-clr.pdf
It was originally published in the ylem journal (US) Artists using science and tecnology. There is an archive of the journal in pdf format at:
http://www.ylem.org/Journal/2000MayJune-clr.pdf
Interakt Studio - Slovenija
"The sense of hearing is deprived of its traditional "privilege" and sight - which until now has not had a distinct role in listening to and evaluating music, is being given the opportunity for integral/interactive cooperation. This is an opportunity to equally enjoy both sound and visual contents without "slippind" into the trap of the visual environment or the visual story of natural contents and diminishing the fundamental qualities of MUSIC - that abstract, eternal and ever-welcome companion of mankind."
Božidar Svetek
website: http://www.kabi.si/interakt
Interakt Studio - Slovenija
Arts in Motion - US
Arts in motion is a Philadelphia US based organisation commited to promoting classical music. Their mission statement:
"Art is for everyone. That means you.
Arts in Motion, a non-profit corporation, presents concerts and education programs that bridge generational and cultural gaps while preserving and expanding the classical music tradition. Through collaborations with video artists, electronic musicians, poets, and interactive designers, AIM's informal and accessible concerts present new forms of multi–sensory art. Arts in Motion Education Department (AIMED) brings classical music to underserved youth with free performance demonstrations and computer–aided music composition lessons. Both AIM's concerts and education programs employ the latest technology to bring classical music into the 21st century."
Wednesday, October 4, 2006
Music Beyond Performance: SoundImageSound - US
Robert Coburn of the Conservatory of Music, University of the Pacific, 3601 Pacific Avenue, Stockton, CA U.S.A.
Music Beyond Performance - Annual Concerts that present fixed media works that integrate sound and image
"With Music Beyond Performance: SoundImageSound ... the Conservatory Computer Studio for Music Composition (CCSMC) in combination with the Conservatory of Music, University of the Pacific presents concerts featuring the work of artists who cross boundaries to combine the aural and the visual. For 2006 this event will again feature new works of "fixed media" which in some manner combine multi-channel sound and visual images without "live" performance. "
Music Beyond Performance - Annual Concerts that present fixed media works that integrate sound and image
George Stadnik - New York
George Stadnik is a lumia artist, practising since 1968. You can see examples of his work at: http://www.photonlightguitars.com. He has created instruments such as the photon guitar and the optic nerve -
The Photon Guitar (tm)
The photon guitar is a "patented manual instrument enables the artist/performer to intuitively and directly manipulate form, colors and patterns to create and project moving, kaleidescopic images."He also uses digital technology to create digital lumia - compositions of ambient visual music
The Photon Guitar (tm)
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