Sunday, November 27, 2011

Online Music Tools

You don't even need music software on your computer these days it seems. There's a growing number of online sites that offer up all you need to compose music online. Here are a couple of my favorites.

  • Soundation -  app for creating loops, samples and sound effects. It has a sequencer, 11 real time effects, 3 synthesizers, a library of over 400 loops and a drum machine.
  • Audiotool - online virtual studio featuring 808 and 909 drum machines, TB303 and ToneMatrix synths, and tons of stompbox type effects.  
  • Avairy's Music Creator -  a multi-channel drum machine, beat maker. Has beat mode and can edit velocities.
  • Jam Studio - has a little bit of everything. Create beats and add chords and harmonies.
  • Drumbot - An online drum machine plus sequencer, metronome and more.

There are also quite a few apps that you can download for free that will help out with all of your audio and composing needs.

  • Audacity - a free audio editor and recorder with tons of features.There are others out there but this one is arguably the best.
  • Reaper - while not free, it's extremely cheap. The best thing about this software is it almost does everything all of the top of the line sequencers do at a fraction of the cost. Plus it's extremely efficient even on older machines. 
Here are my favorite sites for music theory, business and general info.

There you have it. Have fun.


    Check out these amazing audio visual performances with live musicians.
    The music in this performance I think is really beautiful. Great work.

    Collaborate with Hugues Vincent, Frantz Loriot & ryotaro

    at "Velvet Moon vol.38" -music, dance & Performance night!-
    October 19, 2011
    UrBANGUILD, Kyoto, Japan

    Hugues Vincent, Frantz Loriot, ryotaro & AKITO SENGOKU Live at "Velvet Moon vol.38" UrBANGUILD, Kyoto from AKITO SENGOKU on Vimeo.

    Wednesday, November 16, 2011

    Electoluminescence by Sharon Phelan

    Electroluminesence an audiovisual composition composed by Sharon Phelan in 2009 is a very hypnotic and beautiful audio visual piece with a very stylised colour scheme and motion palette.  Sharon composed the music to the visuals, a kind of deep seeing and hearing.  I saw this again yesterday evening in the ATRL lab, Trinity College, Dublin and it was quite stunning aurally and visually in such a great setting, with high quality projection and audio.

    Electroluminescence from Sharon Phelan on Vimeo.

    "Audiovisual composition consisting of video feedback.
    The music and visuals were informed by each other in an exploration of emergent forms. Slight changes to certain parameters lead to complex results."

    Friday, November 11, 2011

    How Musicians Can Deal With Stress

    It's not a secret that the life of a musician isn't easy. There are tons of things to deal with, lots of ups and downs and always unexpected things cropping up. The hardest part of all of this is the fact that you're pretty much alone most of the time. You're trying to get things going in your career as well as trying to be creative the rest of the time. It's important that you learn how to deal with the daily grind of trying to get your music career going (as well as keeping it going!). There are a few things that you can do to keep your focus thereby saving yourself some stress.

    Your Community

    One of the best sources of both information and help is your community of fellow musicians and industry people. While not always free from it's own source of stress (politics and gossip), other musicians can help dealing with problems and finding solutions. It also helps to have a community of like minded people who are pretty much going through the same type of things you are. Just getting together with fellow working musicians on a regular basis can ease some stress and allow you to get some steam off your shoulders.It helps to vocalize your problems even though you may not be actually doing something about it (at the time, hopefully you will do something about it). Other parts of your community include various support groups (not necessarily for musicians), your PRO, musician organizations. musicians' writing and recording groups, forums, various local music interest groups,  and any people you have working with your band (agents, managers, lawyers etc.) 

    Getting Organized

    A great way to deal with stress is to eliminate it right from the beginning. Being organized is helps kill stress by not having to worry about missing appointments, knowing that details are taken care of, and that you are following your plan. If anything comes up, you're more likely able to deal with it effectively since you have a system in place. If you have any new ideas or things to do, being organized allows you to deal with it and make sure something gets done. As a working musician, things are going to pop up and you have to be organized to deal with them. Plus, being organized allows you to follow your goals with focus a lot easier. Research some of the 'getting things done' programs. You'll end up tweaking it and making it your own but it has to be something that you do on a regular basis.


    Always take time to plan. It's important that you take time on a regular basis to make plans and just as important, to review these often. Planning eliminates stress because it gives you some control over what direction you're heading; even though this is never clear cut and requires constant updating. If you take the time to plan on a regular basis, you feel good about your career and tend to feel that you are in control and heading in the right direction.

    Keeping Notes

    Most of the time you'll end up getting the best ideas at the most inopportune time. Always keeping notes helps keep all of these ideas organized. Most musicians have a workbook of some sort (i.e. lyrics, music ideas, career ideas, etc.). It's good to keep all of these in the same place so that you can come back them and reexamine them at a later date. Also, if you have a notebook with all of your ideas, it's easier to come back to them and add notes and develop these further.

    Getting Help

    If it gets to the point where you're unable to perform effectively, you may want to seek some help. The first place that you may want to go is your music community. Most musicians are aware of and have gone through something similar at one time. They may have first hand experience on how to deal with the problem you're going through.  There are also numerous other places that musicians can go for help of all sorts. Most of these may not be music specific but helpful otherwise. There are support groups for public speaking (for performance issues), networking, planning, business practices (all for help with career development), depression, and creativity groups to name a few. Even these don't necessarily deal with musicians specifically, a lot of the problems that you may be having with stress could be helped by one of these groups.

    Onstage Jitters

    One thing that some performers have a hard time with is onstage jitters. Everybody gets a little nervous before going onstage but for some people, it's a huge deal. Symptoms range from jittery nerves, stomach sickness to debilitating headaches. Even some well-known seasoned, professional performers go through these on a regular basis. There are a couple of ways to deal with this. First off, one of the best ways is to simply be really prepared. It takes a load off your mind when you know that you've done everything you can to make your performance shine through. Make sure you have your set down. If you've gone through the entire set and are familiar with all of the material, then that's one thing that can ease your mind. Another thing that can help is having a pre-performance ritual. A lot of performers have a ritual that they go through before each performance. This would include some breathing exercises, warm-ups and scales, going through a tune or two, and maybe some meditation. Some performers don't like to talk to too many people before a show whereas others don't like eating too soon before a performance. Another big helper is to get to the gig early. Once you've been there a while, it gives time for your nerves to settle down and get into the vibe. Besides getting tons of experience onstage, these are the best for trying to get over your performance jitters.

    Bad Practices

    There are numerous things that musicians do on a regular basis that creates stress. One of the worst is simply trying to deal with all of your issues by yourself. Musicians spend a lot of time alone and are usually alone in managing their career. Whenever things get tough instead of going deeper inside of yourself, try reaching out and trying to find some solutions elsewhere. It takes a lot of stress off your mind when you know that there are people just like you out there that may be going through the exact same things. Like mentioned before, just talking to someone about these things may ease the stress tremendously. Along the lines of some good practices to do before a show, there are a number that are bad. Of course not being prepared is a big source of tension. Getting to the gig late with no set up time is another source of stress. Not warming up is also a bad idea especially if you're one of these people (like me) that needs a good warm up before they're 100% effective.

    Dealing With It

    Everybody has to deal with stress. Musicians and artists arguably have their own issues to deal with. Start off right by getting organized and stay organized. This way you have some control over where you are heading. Update and check your plans regularly so you know that you're getting things done and haven't gone off course. Create good practices as far as your work schedule, doing shows and anything else that may be causing you stress. Try to communicate with people on a regular basis. Your music community can be a source of help but just keeping touch with people, family, friends and fans helps keep your head in the right place. Most of all, know that if you're doing all of these things that when you lay your head down at the end of the day, you've done everything you can to move your music career in the right direction. At the end of the day this is music, and it should be fun!

    Wednesday, November 9, 2011

    20 Hz - Semiconductor Video

    This piece is quite incredible in the patterns and sense of depth and dimension.  It is really beautiful.  Semiconductors film 200 Nanowebbers was really brilliant too, but this new work form 2011, is equally as good.  Great work semiconductor

    20 Hz - A Semiconductor work by Ruth Jarman and Joe Gerhardt.
    '05.00 minutes / HD / 2011
    HD single channel and HD 3D single channel
    A Semiconductor work by Ruth Jarman and Joe Gerhardt.
    Audio Data courtesy of CARISMA, operated by the University of Alberta, funded by the Canadian Space Agency.'
    "20 Hz observes a geo-magnetic storm occurring in the Earth's upper atmosphere. Working with data collected from the CARISMA radio array and interpreted as audio, we hear tweeting and rumbles caused by incoming solar wind, captured at the frequency of 20 Hertz. Generated directly by the sound, tangible and sculptural forms emerge suggestive of scientific visualisations. As different frequencies interact both visually and aurally, complex patterns emerge to create interference phenomena that probe the limits of our perception,"
    Webpage about 20Hz: -

    View on Vimeo

    20 Hz from Semiconductor on Vimeo.

    Saturday, November 5, 2011

    Tony Brooks Towards New Multisensory Spaces and Environments

    Four Senses Concert, 2002

    This important concert that took place in 2002 in the Dorothy Winstone Theatre, Auckland, New Zealand.  The four senses concert were a collaboration between Raewyn Turner (NZ) and Tony Brooks (UK).

    website: link

    "The ‘Four Senses’ 1999, 2002 concerts were to engage and reframe perception of music and to play with subjective experiences and simulated synesthesia. Each sensory element was constructed from information relating to the other elements. The associations and correspondences of the elements made by the audience was according to their own individual and personal experiences.
    The investigations include perception, misinterpretation, fictional translations and the sensory worlds of the blind/deaf: of hearing, of breathing in, and of visualizing music.

    Tony Brooks utilised sensors, software and projectors to create an interactive system capturing movement from the orchestra and translating it into painting with coloured light. In this way the orchestra conductor was able to “paint” the scene through his gestures within an interactive space. Similarly orchestra members, dancers and a special signing choir for the deaf images were blended into the backdrop in real-time such that their velocity of movement affected the color of image generation and collage composition.
    Raewyn Turner interpreted the sound to colour and smell using the correspondences that she made between sound/silence and light/dark. The translations involved intuitive drawing, charts, measurements, referral to the seasonal time of harvest of aromatic plants, and an equation which produces a selection of plants from which to choose smell pitch.

    The performances were an improvisation and a real - time translation of sound and the gestures of making that sound, into light and colour, and multiple layers of smell. The light collage thus created was a play of interaction between live video feeds and sensors, and coloured light pre-programmed to an interpretation of sound, each affecting the other in a dynamic visual loop. "

    Source: Link to more information and where you can download media files


    Youtube Excerpt