Showing posts with label Book. Show all posts
Showing posts with label Book. Show all posts

Tuesday, May 26, 2009

Ron Pellegrino - EMERGENT MUSIC AND VISUAL MUSIC: INSIDE STUDIES

NEW VISUAL MUSIC RESOURCES from Ron Pellegrino

Ron Pellegrino's website has an extensive amount of resources that are of great relevance for any studies into visual music and visual music visualisers.  Not only does it document his own work, but also provides links to his writings on the area of music and visual studies and writings and resources on visual music. For example some really excellent resources can be found linked from the homepage of his website - http://www.ronpellegrinoselectronicartsproductions.org/
Topics and Resources such as:
Visual Music
Compositional Thinking

Of interest is his recent writings and resources and a book and DVD now available.

EMERGENT MUSIC AND VISUAL MUSIC: INSIDE STUDIES - BOOK and DVD - 2009

Some new visual music resources from Ron Pellegrino that should be of interest to music visualizers:

Just released on Amazon.com  and now available are 





EMERGENT MUSIC AND VISUAL MUSIC: INSIDE STUDIES

Part 1: The Book Part 2; The DVDs
a project of electronic arts pioneer, Ron Pellegrino.
To learn more about the project go to the following URL - http://www.ronpellegrinoselectronicartsproductions.org/Pages/OhNineSiteExtension/Introduction.html or copy "EMERGENT MUSIC AND VISUAL MUSIC: INSIDE STUDIES" into Amazon.com's search field.




VISUAL MUSIC SYNTHESIS SYSTEM

eBay Auction Materials for a Sonic and Visual Music Synthesizer - Synthi AKS and Laser Animator

Also, a unique visual music synthesis system is on the auction block at eBay and will be there until Monday, May 18, 2009. To learn more the system go to the following URL - Sonic & Visual Music Synthesizer.. or go to eBay and copy "Sonic & Visual Music Synthesizer - Synthi AKS & Laser Animator" into eBays search field.









Earlier Visual Music Resources

The Electronic Arts of Sound and Light - The Electronic Arts of Sound and Light by Ronald Pellegrino (c) 1983 by Van Nostrand Reinhold Company Inc. ISBN 0-442-26499-2. The following website provides excerpts from this book.

"I signed the contract to write The Electronic Arts of Sound and Light in the spring of 1977, started working on it in the fall of 1977, and finished it during the summer of 1981. During those four years I spent more than 9 months out of every year on the road giving multimedia performances in the USA and abroad, teaching music composition and technology for a year at Miami University and for three years at Texas Tech University, consulting on business electronic arts projects, founding/directing and finding funds for The Leading Edge Music Series in Lubbock, Texas, and helping to establish the long running New Music America Festivals. In other words, I was actually working on the subject material of the book and writing about it during the cracks in my schedule.

....

The book covers the first 14 years of my research in the electronic arts - from 1967 to 1981. ... it's the first book to deal in detail with the subjects of visual music, real-time composition, and performance multimedia with electronic instruments (in the 70s and early 80s it was called intermedia or integrated media).

The notion of visual music, a sphere I've been exploring since the late 60s, is just beginning to pick up steam in the late 90s probably because the younger generation of artists is growing up in a multimedia world. The vast majority of older (over 30?) visual artists tend to be studio, gallery, and object oriented. They are materialists with a weak sense of the ephemeral and whatÕs involved in articulating the dynamical flow of time. Specialists in music seem to be too busy with their notes or generally disinclined to explore the sphere of visual music. Finally in the late 90s the new breed of multimedia artist is emerging, younger artists who seem to sense that today's instrument of the electronic arts, the multimedia computer, has the built-in facility for integrating the electronic arts of sound and light. The multimedia computer and a language like Java, that can function as a software multimedia synthesizer, bring us to the threshold of a visual music age."...

Some relevant links

Main Website for Ron Pellegrino

Friday, May 11, 2007

book+dvd - "MuVi. Video and moving image on synesthesia and visual music"

Dina Riccò & Maria José de Cordoba (edited by),
"MuVi. Video and moving image on synesthesia and visual music"
Edizioni Poli.design, Milano, 2007 [book+DVD]

MuVi, an acronym for Musica Visiva (“Visual Music”), an event of the Second
International Conference "Synaesthesia: Science & Art" (from April 28th to
May 1st 2007, Granada, Spain), is a collection of kinetic visual,
audio-visual or interactive works that spring from music by artists,
musicians, designers and performers. This catalogue collects the works of
the 23 participants that answered the call for kinetic works. The attached
DVD includes 40 movies, for a 150 minute video content.

The book is for sale here:
http://www.hoepli.it/titoli.asp?editore=POLI.+DESIGN

Dina Riccò
Politecnico di Milano - Facoltà del Design
Dipartimento INDACO
via Durando 38/a - 20158 Milano - ITALY
http://www.sinestesie.it

Tuesday, September 12, 2006

Simon Shaw Miller - Talk on Timbre in Art and Music

Simon Shaw Miller - UK

Simon Shaw Miller - Timbre in Art and Music - Talk 16 September 2006 Tate St Ives UK

BOOK

Visible Deeds of Music: Art and Music from Wagner to Cage

By Simon Shaw-Miller




"A study of the relationship between music and the visual arts in the late-19th and 20th centuries, focusing on the modernist period. Reassessing the work of composers and artists such as Richard Wagner, Pablo Picasso, Paul Klee, Josef Matthias Hauer and John Cage, Simon Shaw-Miller argues that despite modernism's advocacy of media purity and separation, the boundaries between art and music were permeable at this time, as they have been throughout history. Shaw-Miller begins by discussing the place of Wagner's music and ideas at the time of the birth of modernism, presenting Wagner's aesthetic of the "Gesamtkunstwerk" as an alternative paradigm for modernist art. He goes on to analyze Picasso's use of musical subjects in his cubist works and Klee's adoption of music and the issue of temporality in his paintings and drawings. He concludes with the radical aesthetic of Cage, the silencing of sound, and the promotion of intermediality in the work of Fluxus artists. Through these examples, Shaw-Miller raises questions about both art and music history that should be of interest to students of both disciplines."
Source: Amazon Product Description

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