Showing posts with label Oskar Fischinger. Show all posts
Showing posts with label Oskar Fischinger. Show all posts

Tuesday, June 7, 2011

Oskar Fischinger Painting Exhibition - Santa Fe, New Mexico

Oskar Fischinger (1900-1967) Major Painting Exhibition at the Peyton Wright Gallery - Santa Fe, New Mexico
Opening July 2011


Oskar Fischinger - Layers of Sound
Oskar Fischinger's paintings are being exhibited at the art dealers gallery - Peyton Wright Gallery.  These paintings are a real treat to view.  Peyton Wright Gallery have put many of Oskar Fischinger's paintings online, many of these have probably not been seen before, as they have not been put online before.

Some of these paintings have strong musical themes.  There are several that I really like and a beautiful one for me is, Layers of Sound.  However, there are many others and Fischinger's very distinct artistic and aesthetic style is really apparent.  A great treat to be able to view these paintings online via the Peyton Wright Gallery, and if you are lucky enough to be near Sante Fe, a treat to see in reality.

View Paintings online at:
http://www.peytonwright.com/art/main.php?g2_itemId=9200 

Wednesday, June 16, 2010

Celebrating Elfriede Fischinger on her 100th Birthday: A Benefit Exhibition and Reception

Celebrating Elfriede Fischinger on her 100th Birthday

An Exhibition and Benefit Reception for CVM’s Fischinger Preservation and Conservation Project

Hosted by Center for Visual Music in collaboration with The Goethe-Institut Los Angeles and The Fischinger Trust

"Join us for a celebration of the life of Elfriede (1910-1999), widow of the avant-garde filmmaker and painter Oskar Fischinger. The evening features an Exhibition of selected photographs, artifacts and Paintings by Oskar Fischinger, a Wine Reception, and a Screening of Home Movies, Interviews and Videos of Elfriede. Highlights include Oskar’s first Stereo Painting (1949), The Lumigraph film (1970) by Elfriede, and unshot animation drawings by Oskar. Proceeds from the evening, which includes a silent auction, will benefit the work of Center for Visual Music, a nonprofit archive engaged in preserving and promoting the Fischinger films and legacy.

Elfriede Fischinger (1910-1999) devoted nearly her entire life to her husband Oskar Fischinger’s films, artwork and legacy. She began assisting on the films in his Berlin studio in the 1930s, and after they immigrated to Hollywood in 1936, helped support the family during lean times. Oskar worked briefly for Paramount, Disney (Fantasia), MGM and Orson Welles, but could never find sufficient support to produce many of the films he planned. After Oskar's death in 1967, Elfriede began collecting, cataloguing and preserving material related to the films and paintings, with assistance from Dr. William Moritz. She traveled widely lecturing with Oskar’s paintings and films at venues worldwide including the Montreal Expo of 1967, the Berlin Film Festival, The Museum of Modern Art (New York), Telluride, and the Venice Bienalle 1982, as well as major animation festivals like Ottawa and Zagreb. She received Lifetime Achievement Awards from the Royal Academy of the Netherlands, the International Animation Society ASIFA, and Women in Film."
Source: press release

September 23, 2010, 7 pm
Goethe-Institut, 5750 Wilshire Blvd. #100, Los Angeles, CA 90036
Tickets available at http://cvm.eventbrite.com/
Or through CVM directly via phone (MC or Visa).

Visit: http://cvm.eventbrite.com/ and http://www.centerforvisualmusic.org/Fischinger

Saturday, April 3, 2010

Visual Music: Sensory Cinema 1920s-1970s

Visual Music: Sensory Cinema 1920s-1970s
Northwest Film Forum and The Sprocket Society, in association with Center For Visual Music, present this special series celebrating the history of Visual Music, at Northwest Film Forum, Seattle, April 9 - 13, 2010.

Over the past century, there have been a number of prescient artists who’ve approached cinema as a tool for merging visual art and music in order to create a new art form and explore uncharted areas of synaesthetic experience. Through a vibrant history of cinematic experiments, these pioneers have been inventing the concepts, aesthetics, techniques and technologies on which our modern image-and-sound culture is based.

VISUAL MUSIC is a rare opportunity to see restored film prints of work by such master animators as Oskar Fischinger, Mary Ellen Bute, Jordan Belson, Robert Breer and many others on the big screen. In addition, we’ll host a panel discussion on Seattle’s own history of visual music in the 1960s and early ’70s.

Center for Visual Music provides three programs:

April 9 - Optical Poetry: Oskar Fischinger Retrospective

April 10 - Seeing Sound: The Films of Mary Ellen Bute (in association with Cecile Starr), and

April 11 - Jordan Belson, Films Sacred and Profane

The series also features two programs curated by NWFF: Seattle Psychedelics and Sixties Synaesthetics

CVM's Director Cindy Keefer will introduce several programs and discuss the visual music of Fischinger, Bute and Belson.

Series curator: Peter Lucas. This program is made possible by a grant from the National Endowment For The Arts.

Series Website:
http://sensorycinema.org/

http://www.centerforvisualmusic.org/


Amazon related products to purchase online.


Useful links
Still from Oskar Fischinger's Kreise (Circles) (1933), 35mm, color, sound (c) Fischinger Trust, courtesy Center for Visual Music. Link