CVM at Zentrum für Kunst und Medientechnologie, Karlsruhe, Germany May 11.
For more information on this event, visit
http://on1.zkm.de/zkm/stories/storyReader$7532
Cindy Keefer, Director of the Center for Visual Music Los Angeles, will discuss and screen work by pioneers of kinetic art and pre-digital cinema from CVM's archives... Keefer will screen work from CVM's archives including Dockum's “Mobilcolor Projections,” Bute's “Abstronics” (an early oscilloscope film), a short Bute documentary, the Fischinger “Lumigraph Film,” and more. She will discuss CVM's work with the Fischinger legacy, current preservation work, and “Raumlichtkunst,” the new restoration of his 1920s multiple-projector performances.
Followed by the screening “Films Sacred and Profane” by Jordan Belson
Visit: http://www.centerforvisualmusic.org/Events.htm
for more information on Center For Visual Music and visual music related events and news
Showing posts with label Screening. Show all posts
Showing posts with label Screening. Show all posts
Tuesday, May 10, 2011
Thursday, May 5, 2011
Visual Music - Supporting Programme
VISUAL MUSIC PROGRAMME at 18th Stuttgart International Festival of Animated Film
The Stuttgart International Festival of Animated Film, May 2011 presented a Visual Music supporting programme at the festival.
http://www.itfs.de/en/
CVM (Center for Visual Music) presented two historical programs of abstract animated films by Oskar Fischinger, including preserved prints and rarely-screened films.
Title of Program: Oskar Fischinger Retrospective, May 7, 2011
Cornelia and Holger Lund presented contemporary visual music
Title of Programme: Visual Music: Contemporary, May 8, 2011.
A programme was put together on Norman McLaren
Title of Programme: The animator as musician, May 6, 2011
See: http://www.itfs.de/en/programmes/supporting-programme/visual-music.html
Visit CVM Events page for up to date information on Visual Music Events
http://www.centerforvisualmusic.org/Events.htm
The Stuttgart International Festival of Animated Film, May 2011 presented a Visual Music supporting programme at the festival.
http://www.itfs.de/en/
CVM (Center for Visual Music) presented two historical programs of abstract animated films by Oskar Fischinger, including preserved prints and rarely-screened films.
Title of Program: Oskar Fischinger Retrospective, May 7, 2011
Cornelia and Holger Lund presented contemporary visual music
Title of Programme: Visual Music: Contemporary, May 8, 2011.
A programme was put together on Norman McLaren
Title of Programme: The animator as musician, May 6, 2011
See: http://www.itfs.de/en/programmes/supporting-programme/visual-music.html
Visit CVM Events page for up to date information on Visual Music Events
http://www.centerforvisualmusic.org/Events.htm
Monday, August 9, 2010
Jon Behrens - Pure Cinema
THE PRODUCTION AND DECAY OF STRANGE PARTICLES by Jon Behrens
experiments with "creating mats with liquid latex directly on the film emulsion then bleaching off all the excess image around the latex and using the clear bleached sections of film as a canvas to paint my film poem, I used special inks that were custom made just for me called Kenville Dyes I then to re-photographed it all on my beloved JK optical printer. I also created this films sound design.
2008, 16mm color sound 7 ½ min"
Source: http://www.vimeo.com/7352980
SCREENING
Experiments In New Media presents an Evening of Pure Cinema by Jon Behrens
August 26th, 2010, 20h
The Grand Detour
215 SE Morrison, Suite 2020
Portland, Oregon, USA
For more information on this event see:
http://www.expcinema.com/site/en/events/experiments-in-new-media-jon-behrens
experiments with "creating mats with liquid latex directly on the film emulsion then bleaching off all the excess image around the latex and using the clear bleached sections of film as a canvas to paint my film poem, I used special inks that were custom made just for me called Kenville Dyes I then to re-photographed it all on my beloved JK optical printer. I also created this films sound design.
2008, 16mm color sound 7 ½ min"
Source: http://www.vimeo.com/7352980
The Production and Decay of Strange Particles. from Jon Behrens on Vimeo.
THE PRODUCTION AND DECAY OF STRANGE PARTICLES In this film I began to experiment more with creating mats with liquid latex directly on the film emulsion then bleaching off all the excess image around the latex and using the clear bleached sections of film as a canvas to paint my film poem, I used special inks that were custom made just for me called Kenville Dyes I then to re-photographed it all on my beloved JK optical printer. I also created this films sound design.
2008, 16mm color sound 7 ½ min
This film is available for rental in 16mm from Canyon Cinema
www.canyoncinema.com
For more information on me
www.jonbehrensfilms.com
SCREENING
Experiments In New Media presents an Evening of Pure Cinema by Jon Behrens
August 26th, 2010, 20h
The Grand Detour
215 SE Morrison, Suite 2020
Portland, Oregon, USA
For more information on this event see:
http://www.expcinema.com/site/en/events/experiments-in-new-media-jon-behrens
Tuesday, April 13, 2010
Störung Festival 5.0 of experimental electronic music and visual arts
Experimental Electronic Music and Visual Arts Festival/
21-24.04.2010/
La Farinera del Clot
Barcelona
"The fifth annual festival of experimental electronic music and visual arts organized by the platform Störung will start next Wednesday 21st of April offering us, during four days, the performances of outstanding national and international artists of the electronic and experimental scene./
Störung Festival 5.0 features, besides the performances of the invited artists, a cycle of conferences, a permanent screening of audiovisual works in the exhibition room, and a thematic day on Friday 23rd of April titled 'Hydrophonia', dedicated exclusively to subaquatic sounds./
With this program the festival wants to offer the audience the chance of getting to know in detail different tendencies of the electronic music scene, continuing the work that the multidisciplinary platform Störung has been doing since 2006./
Störung's aim, in short, is to promote and support a variety of creative tendencies of the electronic music field, providing live performances, radio programs, and records, to enable the audience to hear and enjoy these musical and artistic tendencies."
Source: http://www.storung.com/?section=festival5〈=en
website:
http://www.storung.com/?section=festival5〈=en
21-24.04.2010/
La Farinera del Clot
Barcelona
"The fifth annual festival of experimental electronic music and visual arts organized by the platform Störung will start next Wednesday 21st of April offering us, during four days, the performances of outstanding national and international artists of the electronic and experimental scene./
Störung Festival 5.0 features, besides the performances of the invited artists, a cycle of conferences, a permanent screening of audiovisual works in the exhibition room, and a thematic day on Friday 23rd of April titled 'Hydrophonia', dedicated exclusively to subaquatic sounds./
With this program the festival wants to offer the audience the chance of getting to know in detail different tendencies of the electronic music scene, continuing the work that the multidisciplinary platform Störung has been doing since 2006./
Störung's aim, in short, is to promote and support a variety of creative tendencies of the electronic music field, providing live performances, radio programs, and records, to enable the audience to hear and enjoy these musical and artistic tendencies."
Source: http://www.storung.com/?section=festival5〈=en
website:
http://www.storung.com/?section=festival5〈=en
Saturday, April 3, 2010
Visual Music: Sensory Cinema 1920s-1970s
Visual Music: Sensory Cinema 1920s-1970s
Northwest Film Forum and The Sprocket Society, in association with Center For Visual Music, present this special series celebrating the history of Visual Music, at Northwest Film Forum, Seattle, April 9 - 13, 2010.
Over the past century, there have been a number of prescient artists who’ve approached cinema as a tool for merging visual art and music in order to create a new art form and explore uncharted areas of synaesthetic experience. Through a vibrant history of cinematic experiments, these pioneers have been inventing the concepts, aesthetics, techniques and technologies on which our modern image-and-sound culture is based.
VISUAL MUSIC is a rare opportunity to see restored film prints of work by such master animators as Oskar Fischinger, Mary Ellen Bute, Jordan Belson, Robert Breer and many others on the big screen. In addition, we’ll host a panel discussion on Seattle’s own history of visual music in the 1960s and early ’70s.
Center for Visual Music provides three programs:
April 9 - Optical Poetry: Oskar Fischinger Retrospective
April 10 - Seeing Sound: The Films of Mary Ellen Bute (in association with Cecile Starr), and
April 11 - Jordan Belson, Films Sacred and Profane
The series also features two programs curated by NWFF: Seattle Psychedelics and Sixties Synaesthetics
CVM's Director Cindy Keefer will introduce several programs and discuss the visual music of Fischinger, Bute and Belson.
Series curator: Peter Lucas. This program is made possible by a grant from the National Endowment For The Arts.
Series Website:
http://sensorycinema.org/
http://www.centerforvisualmusic.org/
Amazon related products to purchase online.
Useful links
Still from Oskar Fischinger's Kreise (Circles) (1933), 35mm, color, sound (c) Fischinger Trust, courtesy Center for Visual Music. Link
Northwest Film Forum and The Sprocket Society, in association with Center For Visual Music, present this special series celebrating the history of Visual Music, at Northwest Film Forum, Seattle, April 9 - 13, 2010.
Over the past century, there have been a number of prescient artists who’ve approached cinema as a tool for merging visual art and music in order to create a new art form and explore uncharted areas of synaesthetic experience. Through a vibrant history of cinematic experiments, these pioneers have been inventing the concepts, aesthetics, techniques and technologies on which our modern image-and-sound culture is based.
VISUAL MUSIC is a rare opportunity to see restored film prints of work by such master animators as Oskar Fischinger, Mary Ellen Bute, Jordan Belson, Robert Breer and many others on the big screen. In addition, we’ll host a panel discussion on Seattle’s own history of visual music in the 1960s and early ’70s.
Center for Visual Music provides three programs:
April 9 - Optical Poetry: Oskar Fischinger Retrospective
April 10 - Seeing Sound: The Films of Mary Ellen Bute (in association with Cecile Starr), and
April 11 - Jordan Belson, Films Sacred and Profane
The series also features two programs curated by NWFF: Seattle Psychedelics and Sixties Synaesthetics
CVM's Director Cindy Keefer will introduce several programs and discuss the visual music of Fischinger, Bute and Belson.
Series curator: Peter Lucas. This program is made possible by a grant from the National Endowment For The Arts.
Series Website:
http://sensorycinema.org/
http://www.centerforvisualmusic.org/
Amazon related products to purchase online.
Useful links
Still from Oskar Fischinger's Kreise (Circles) (1933), 35mm, color, sound (c) Fischinger Trust, courtesy Center for Visual Music. Link
Wednesday, February 24, 2010
The Art of Algorithm in the Moving Image by Martin Blažíček

A lecture on the art of algorithm in the moving image.
'The lecture demonstrates, by means of practical examples, the use of algorithmic relationship in the art of moving images, from films and early generative art to contemporary digital techniques...
The lecture will include the projection of films by Peter Kubelka, Kurt Kren, James Whitney, Larry Cuba, Dan Sandin and Granular Synthesis.'
visit website
Monday, September 21, 2009
Seeing Sound Symposium - Bath Spa University - UK
Practice-led Visual Music Research Symposium, Bath Spa University, 19/20th Sept 2009
"Bath Spa University’s Center for Musical Research hosts an informal two-day symposium exploring a broad range of multimedia work highlighting the relationship between sound and image. Areas such as visual music, abstract cinema, experimental animation, lumia, cymatics, live audiovisual performance and relevant installation work will be examined and explored."http://seeingsound.co.uk
The excellent programme organised by Dr Joe Hyde consisted of papers/presentations, performances and screenings. The mix of screenings, talks, papers and performances made this a really rich event and a wonderful opportunity to see and hear the work that is being created now in the area of practice-led Visual Music Research and to hear in detail how this is being done across many universities and various research activities in the UK, US, Ireland, Germany. Screenings came from a mix of historical works and cutting edge contemporary work.

Having just returned from the event, it was a great opportunity to see talks and work currently being created being shown by the researcher/artist/composer at the same time. For example, several papers presented were followed by screenings and performances.
The event also screened historical works and it screened a full and rich historical screening programme. Works from historical filmmakers and pioneers such as en extensive screening of Mary Ellen Bute's classic visual music films in the Mary Ellen Bute retrospective screening and an extensive screening of Oskar Fischinger's films in the Oskar Fischinger programme, were shown. The Mary Ellen Bute retrospective was also discussed in a paper by Sandra Naumann (Ludwig Boltzmann Institute Media.Art.Research, Linz, Austria) – Seeing Sound: Mary Ellen Bute’s Short Films. This paper really brought forward Mary Ellen Butes historical works as a really relevant and important historical figure in the area of Visual Music.
See the screenings programme at: http://www.seeingsound.co.uk/programme/screenings/
Links
http://blog.see-this-sound.at/
Jon Pigott - http://sonicmarbles.co.uk/
Keele University - Music & Music Technology - Audiovisual composition
Bret Battey
Mick Grierson
Lumisonic (developed by Dr Mick Grierson)
Zai Tang
Cymatics
Stephen Callear - Cirrus
llias Bergstrom
Onar3D - Maria Louiza - HD (vimeo)
Jaroslaw Kapuscinski
Jaroslaw Kapuscinski - Oils Dream
Theo Burt - Colour Projections
Jon Aveyard – Explorer and More
Kathy Hinde
Dr Tim Howle (University of Hull)
Electroacoustic Movies
Light Form Movement Sound - a research by Seppo Gruendler and Cordula Boesze completed by Sandra Naumann
http://www.centerforvisualmusic.org/Bute.htm
Jordan Belson
Larry Cuba
Jean Detheux
Adriano Abbado
Adriano Abbado – Kayuputih
Richard Lainhart
Richard Lainhart - Pneuma (Vimeo)
Bret Battey - Sinus Aestrum
Joseph Hyde (Seeing Sound Symposium Organiser)
Joseph Hyde – End Transmission (Vimeo)
Diego Garro - Performances
Steve Bird
Oskar Fischinger Trust and Archive
Nam June Paik and John Godfrey - Global Groove
Tim Skinner
Amanda Belantara - Ears are Dazzled, touched by sound
Nick Cope / Tim Howle – In Girum
Bonnie Mitchell / Elainie Lilios – 2B Textures
Karen Lauke – Copper Vibrations
Olga Mink/Scanner – trespassing (extract from Nature of Being) (Vimeo Link)
Olga Mink
Rajmil Fischman – ¿Te Acuerdas Hijo?
Andy Willy
Donnacha Dennehy (Music) Hugh Reynolds, Gerry O Brien (video) Performance by Crash Ensemble - Junk Box Fraud (vimeo)
Neil O Connor - The Glistening Bridge (youtube video) - (youtube recording of live performance)
Paul G Smyth - Red Film
Paul O Donoghue - Above the Thunder Clouds (Vimeo)
Fran Hartnett - Navigating the Pearl System (youtube) - Ogham Tone (youtube)
Shane McKenna (Vimeo)
Amanda Feery, Dream Machine (youtube)
Jane Cassidy, The Night after I Kicked It – youtube – (no audio)
"Bath Spa University’s Center for Musical Research hosts an informal two-day symposium exploring a broad range of multimedia work highlighting the relationship between sound and image. Areas such as visual music, abstract cinema, experimental animation, lumia, cymatics, live audiovisual performance and relevant installation work will be examined and explored."http://seeingsound.co.uk
The excellent programme organised by Dr Joe Hyde consisted of papers/presentations, performances and screenings. The mix of screenings, talks, papers and performances made this a really rich event and a wonderful opportunity to see and hear the work that is being created now in the area of practice-led Visual Music Research and to hear in detail how this is being done across many universities and various research activities in the UK, US, Ireland, Germany. Screenings came from a mix of historical works and cutting edge contemporary work.

Having just returned from the event, it was a great opportunity to see talks and work currently being created being shown by the researcher/artist/composer at the same time. For example, several papers presented were followed by screenings and performances.
The event also screened historical works and it screened a full and rich historical screening programme. Works from historical filmmakers and pioneers such as en extensive screening of Mary Ellen Bute's classic visual music films in the Mary Ellen Bute retrospective screening and an extensive screening of Oskar Fischinger's films in the Oskar Fischinger programme, were shown. The Mary Ellen Bute retrospective was also discussed in a paper by Sandra Naumann (Ludwig Boltzmann Institute Media.Art.Research, Linz, Austria) – Seeing Sound: Mary Ellen Bute’s Short Films. This paper really brought forward Mary Ellen Butes historical works as a really relevant and important historical figure in the area of Visual Music.
See the screenings programme at: http://www.seeingsound.co.uk/programme/screenings/
Links
http://blog.see-this-sound.at/
Jon Pigott - http://sonicmarbles.co.uk/
Keele University - Music & Music Technology - Audiovisual composition
Bret Battey
Mick Grierson
Lumisonic (developed by Dr Mick Grierson)
Zai Tang
Cymatics
Stephen Callear - Cirrus
llias Bergstrom
Onar3D - Maria Louiza - HD (vimeo)
Jaroslaw Kapuscinski
Jaroslaw Kapuscinski - Oils Dream
Theo Burt - Colour Projections
Jon Aveyard – Explorer and More
Kathy Hinde
Dr Tim Howle (University of Hull)
Electroacoustic Movies
Light Form Movement Sound - a research by Seppo Gruendler and Cordula Boesze completed by Sandra Naumann
http://www.centerforvisualmusic.org/Bute.htm
Jordan Belson
Larry Cuba
Jean Detheux
Adriano Abbado
Adriano Abbado – Kayuputih
Richard Lainhart
Richard Lainhart - Pneuma (Vimeo)
Bret Battey - Sinus Aestrum
Joseph Hyde (Seeing Sound Symposium Organiser)
Joseph Hyde – End Transmission (Vimeo)
Diego Garro - Performances
Steve Bird
Oskar Fischinger Trust and Archive
Nam June Paik and John Godfrey - Global Groove
Tim Skinner
Amanda Belantara - Ears are Dazzled, touched by sound
Nick Cope / Tim Howle – In Girum
Bonnie Mitchell / Elainie Lilios – 2B Textures
Karen Lauke – Copper Vibrations
Olga Mink/Scanner – trespassing (extract from Nature of Being) (Vimeo Link)
Olga Mink
Rajmil Fischman – ¿Te Acuerdas Hijo?
Andy Willy
Donnacha Dennehy (Music) Hugh Reynolds, Gerry O Brien (video) Performance by Crash Ensemble - Junk Box Fraud (vimeo)
Neil O Connor - The Glistening Bridge (youtube video) - (youtube recording of live performance)
Paul G Smyth - Red Film
Paul O Donoghue - Above the Thunder Clouds (Vimeo)
Fran Hartnett - Navigating the Pearl System (youtube) - Ogham Tone (youtube)
Shane McKenna (Vimeo)
Amanda Feery, Dream Machine (youtube)
Jane Cassidy, The Night after I Kicked It – youtube – (no audio)
Saturday, May 2, 2009
Australian Cinémathèque - Visual Music - 2008
PAST EVENT
This is a past Visual Music event held in Queensland Gallery of Modern Art in 2008. The website documenting the Visual Music program screened is really useful as it provides an excellent overview of historical works in particular with a really useful list of their films, each filmmaker/artist is linked with a page overviewing their work and listing the films screened for the Visual Music program. The website also provides information on the curators for the event - a really useful resource on Visual Music. (Author comment)
Visual Music - 28 March – 1 June 2008
"The cinematic genre of Visual Music draws on elements of form, colour and rhythm in music and images to create visual symphonies. Working with abstraction and figuration, gesture, pitch, beat and palette, filmmakers have explored the dynamism of sight and sound synaesthesia - hearing colour and line, seeing rhythm and tone - through innovative techniques and aesthetics. The Australian Cinémathèque’s Visual Music program includes an extraordinary range of approaches to this genre, from the Silly Symphonies, early Walt Disney musical animations, to retrospective programs of visual music pioneers, selections of rarely screened classics and contemporary works...."Works shown by:
Alexandre Alexeïeff and Claire Parker
Saul Bass
Jordan Belson
Stan Brakhage
Mary Ellen Bute
Oskar Fischinger
Len Lye
Light Play: Visual Music Pioneers
Norman McLaren
Rare Classics: Essential Visual Music
Soundfields from the Netherlands
Bärbel Neubauer
James and John Whitney
"The Australian Cinémathèque, located at the Queensland Gallery of Modern Art, presents retrospective and thematic film programs and exhibitions, exploring the important lines of influence between the moving image and other areas of visual culture, and showcasing the work of influential filmmakers and artists. Its mission is to collect, conserve, present and interpret film and screen culture."
Source: http://qag.qld.gov.au/cinemathequeTuesday, March 3, 2009
Visual Music Marathon - April 11th New York
Visual Music Marathon to be held in New York on April 11th, 2009
For Immediate Release
Contact: Keri Murawski
212.592.2164, kmurawski@sva.edu
Dennis Miller
617.373.4132, de.miller@neu.edu
SCHOOL OF VISUAL ARTS, THE NEW YORK DIGITAL SALON AND NORTHEASTERN UNIVERSITY PRESENT THE 2009 VISUAL MUSIC MARATHON
GENRE-BENDING WORK BY OVER 100 ARTISTS FROM 15 COUNTRIES
Saturday, April 11, 10am — 10pm
Visual Arts Theater, School of Visual Arts
333 West 23 Street, New York
Free and open to the public
The MFA Computer Art Department at School of Visual Arts, the New York Digital Salon and the Department of Music and Multimedia Studies at Northeastern University present the New York premiere of the Visual Music Marathon, a 12-hour festival showcasing 120 works by contemporary digital artists and composers from around the world. The event offers an encyclopedic look into the burgeoning practice of visual music, which combines animation and musical composition. The roots of the genre date back more than two hundred years to the ocular harpsichords and color-music scales of the 18th century; the current art form came to fruition following the emergence of film and video in the 20th century.
PREVIEW ANIMATION from Visual Music Marathon
The Visual Music Marathon presents a remarkable array of artistic strategies and sensibilities. Some of the selected works consist of abstract visual interpretations of pieces of music, while others apply structural concepts of music to create moving images, or explore the overlap between visual and musical languages. The artists make use of a range of media and technologies, including found footage, hand-drawn animation, stop-motion photography, digitally processed video, computer-generated imagery, and paintings made directly on film. Works include audio tracks ranging from computer-generated scores, to sampled sounds from nature, to both classical and contemporary musical compositions.
Northeastern University faculty member Dennis Miller, artistic director and curator for the festival, explains, “With the Visual Music Marathon, we have put together the largest and most
historically representative selection of work in this field. It is a unique opportunity to see the best of cutting-edge digital art from around the world as well as rarely screened historical gems in the field of visual music.” Bruce Wands, chair of the MFA Computer Art Department at SVA and curator of the New York Digital Salon hour of the Marathon, remarked, “We are excited to share all of these works with the city of New York–the majority of which have never been seen here before. It is a wonderfully diverse group of films, which gives a sense of the creativity and momentum in this field right now.”
The program includes works by established figures in the field, such as Canadian/Belgian artist Jean Detheux (Daydream Mechanics V Sketch 3, Rupture and Liaisons), Icelandic artist Steina
Vasulka (Trevor), Austrian artist Tina Frank (Chronomops, Pitbudp) and American artists
Stephanie Maxwell (Time Streams, All That Remains) and Karen Aqua (Kakania, Sensorium).
The festival also presents the work of emerging digital artists including SVA alumnus Joe Tekippe (2006 MFA Computer Art; Modal Drawing Toy), German artist Robert Seidel (_grau) and UKbased artists Ruth Jarman and Joseph Gerhardt of Semiconductor (200 Nanowebbers), among others. In addition to the contemporary works, the program will include examples of rare, historic works from early practitioners of the art form, such as Hans Richter and Oskar Fischinger, which will be screened on 16mm film. The Visual Music Marathon will also feature live audio-visual acts: 1/X, performed by artist and SVA alumnus Chiaki Watanabe (1996 BFA Computer Art) and musician David Galbraith; and S2: Simstim Squared, performed by artist Marjan Moghaddam and composer Adam Caine.
The MFA Computer Art Department at SVA emphasizes creative experimentation and a multidisciplinary approach. Dedicated to producing digital artists of the highest caliber, the department guides each student in the development of a personal artistic style and in a course of study that is individually tailored to meet his or her needs. The two-year, 60-credit MFA degree
program offers several areas of specialization: animation, digital video, installation and digital fine art, interactive media, networked media and performance, or the option of a multidisciplinary track. Work by students in the department has been honored by the Student Academy Awards and appeared in such prestigious venues as the Whitney Biennial; the Solomon R. Guggenheim Museum; SIGGRAPH Electronic Theater; the Ars Electronica Center; and the Annecy, Ottowa and New York Animation Festivals.
Since 1993, the New York Digital Salon (NYDS) has served as a catalyst for greater public awareness and appreciation of new media art, and continues to promote the creative use of technology and innovation in contemporary art. The NYDS maintains an extensive online archive of digital art, artists and essays. The NYDS contributes to cultural growth through educational and public programs, exhibitions and screenings, both nationally and internationally.
A project of the MFA Computer Art Department at SVA, the NYDS has received support from the NEA, the Rockefeller Foundation, NYSCA, and NESTA-UK, among others.
Founded in 1898, Northeastern University is a private research university located in the heart of Boston. The University’s distinctive cooperative education program, where students alternate semesters of full-time study with semesters of paid work in fields relevant to their professional interests and major, is one of the largest and most innovative in the world. The University offers a comprehensive range of undergraduate and graduate programs leading to degrees through the doctorate.
School of Visual Arts (SVA) in New York City is an established leader and innovator in the education of artists. From its inception in 1947, the faculty has been comprised of professionals working in the arts and art-related fields. SVA provides an environment that nurtures creativity, inventiveness and experimentation, enabling students to develop a strong sense of identity and a clear direction of purpose.
Media Contact: For more information, please contact Keri Murawski at 212.592.2164 or e-mail kmurawski@sva.edu.
Image: Sean Capone, from The Plain Silvery Side of This Disc, 2006
For further details about the festival or to view the April 11 program schedule, please visit www.2009vmm.neu.edu and www.nydigitalsalon.org.
LINKS TO ARTISTS/ORGANISATIONS MENTIONED IN THIS PRESS RELEASE
Dennis Miller
Bruce Wands
Jean Detheux
Steina Vasulka
Tina Frank
Stephanie Maxwell
Karen Aqua
Joe Tekippe
Robert Seidel
Semiconductor
Chiaki Watanabe
David Galbraith
Marjan Moghaddam
Adam Caine
New York Digital Salon
For Immediate Release
Contact: Keri Murawski212.592.2164, kmurawski@sva.edu
Dennis Miller
617.373.4132, de.miller@neu.edu
SCHOOL OF VISUAL ARTS, THE NEW YORK DIGITAL SALON AND NORTHEASTERN UNIVERSITY PRESENT THE 2009 VISUAL MUSIC MARATHON
GENRE-BENDING WORK BY OVER 100 ARTISTS FROM 15 COUNTRIES
Saturday, April 11, 10am — 10pm
Visual Arts Theater, School of Visual Arts
333 West 23 Street, New York
Free and open to the public
The MFA Computer Art Department at School of Visual Arts, the New York Digital Salon and the Department of Music and Multimedia Studies at Northeastern University present the New York premiere of the Visual Music Marathon, a 12-hour festival showcasing 120 works by contemporary digital artists and composers from around the world. The event offers an encyclopedic look into the burgeoning practice of visual music, which combines animation and musical composition. The roots of the genre date back more than two hundred years to the ocular harpsichords and color-music scales of the 18th century; the current art form came to fruition following the emergence of film and video in the 20th century.
PREVIEW ANIMATION from Visual Music Marathon
The Visual Music Marathon presents a remarkable array of artistic strategies and sensibilities. Some of the selected works consist of abstract visual interpretations of pieces of music, while others apply structural concepts of music to create moving images, or explore the overlap between visual and musical languages. The artists make use of a range of media and technologies, including found footage, hand-drawn animation, stop-motion photography, digitally processed video, computer-generated imagery, and paintings made directly on film. Works include audio tracks ranging from computer-generated scores, to sampled sounds from nature, to both classical and contemporary musical compositions.
Northeastern University faculty member Dennis Miller, artistic director and curator for the festival, explains, “With the Visual Music Marathon, we have put together the largest and most
historically representative selection of work in this field. It is a unique opportunity to see the best of cutting-edge digital art from around the world as well as rarely screened historical gems in the field of visual music.” Bruce Wands, chair of the MFA Computer Art Department at SVA and curator of the New York Digital Salon hour of the Marathon, remarked, “We are excited to share all of these works with the city of New York–the majority of which have never been seen here before. It is a wonderfully diverse group of films, which gives a sense of the creativity and momentum in this field right now.”
The program includes works by established figures in the field, such as Canadian/Belgian artist Jean Detheux (Daydream Mechanics V Sketch 3, Rupture and Liaisons), Icelandic artist Steina
Vasulka (Trevor), Austrian artist Tina Frank (Chronomops, Pitbudp) and American artists
Stephanie Maxwell (Time Streams, All That Remains) and Karen Aqua (Kakania, Sensorium).
The festival also presents the work of emerging digital artists including SVA alumnus Joe Tekippe (2006 MFA Computer Art; Modal Drawing Toy), German artist Robert Seidel (_grau) and UKbased artists Ruth Jarman and Joseph Gerhardt of Semiconductor (200 Nanowebbers), among others. In addition to the contemporary works, the program will include examples of rare, historic works from early practitioners of the art form, such as Hans Richter and Oskar Fischinger, which will be screened on 16mm film. The Visual Music Marathon will also feature live audio-visual acts: 1/X, performed by artist and SVA alumnus Chiaki Watanabe (1996 BFA Computer Art) and musician David Galbraith; and S2: Simstim Squared, performed by artist Marjan Moghaddam and composer Adam Caine.
The MFA Computer Art Department at SVA emphasizes creative experimentation and a multidisciplinary approach. Dedicated to producing digital artists of the highest caliber, the department guides each student in the development of a personal artistic style and in a course of study that is individually tailored to meet his or her needs. The two-year, 60-credit MFA degree
program offers several areas of specialization: animation, digital video, installation and digital fine art, interactive media, networked media and performance, or the option of a multidisciplinary track. Work by students in the department has been honored by the Student Academy Awards and appeared in such prestigious venues as the Whitney Biennial; the Solomon R. Guggenheim Museum; SIGGRAPH Electronic Theater; the Ars Electronica Center; and the Annecy, Ottowa and New York Animation Festivals.
Since 1993, the New York Digital Salon (NYDS) has served as a catalyst for greater public awareness and appreciation of new media art, and continues to promote the creative use of technology and innovation in contemporary art. The NYDS maintains an extensive online archive of digital art, artists and essays. The NYDS contributes to cultural growth through educational and public programs, exhibitions and screenings, both nationally and internationally.
A project of the MFA Computer Art Department at SVA, the NYDS has received support from the NEA, the Rockefeller Foundation, NYSCA, and NESTA-UK, among others.
Founded in 1898, Northeastern University is a private research university located in the heart of Boston. The University’s distinctive cooperative education program, where students alternate semesters of full-time study with semesters of paid work in fields relevant to their professional interests and major, is one of the largest and most innovative in the world. The University offers a comprehensive range of undergraduate and graduate programs leading to degrees through the doctorate.
School of Visual Arts (SVA) in New York City is an established leader and innovator in the education of artists. From its inception in 1947, the faculty has been comprised of professionals working in the arts and art-related fields. SVA provides an environment that nurtures creativity, inventiveness and experimentation, enabling students to develop a strong sense of identity and a clear direction of purpose.
Media Contact: For more information, please contact Keri Murawski at 212.592.2164 or e-mail kmurawski@sva.edu.
Image: Sean Capone, from The Plain Silvery Side of This Disc, 2006
For further details about the festival or to view the April 11 program schedule, please visit www.2009vmm.neu.edu and www.nydigitalsalon.org.
LINKS TO ARTISTS/ORGANISATIONS MENTIONED IN THIS PRESS RELEASE
Dennis Miller
Bruce Wands
Jean Detheux
Steina Vasulka
Tina Frank
Stephanie Maxwell
Karen Aqua
Joe Tekippe
Robert Seidel
Semiconductor
Chiaki Watanabe
David Galbraith
Marjan Moghaddam
Adam Caine
New York Digital Salon
Sunday, April 29, 2007
VISUAL MUSIC MARATHON EVENT 2007 - Boston

The Visual Music Marathon Event took place yesterday, 28 April 2007 at the Egan Research Center, 120 Forsyth Street, Northeastern University, MA 02115 , Boston. What an amazing show of incredibly beautiful and stunning visuals and music. Organised by Dennis Miller.
This was an event worth seeing!!! - more here soon. Meanwhile, previews of some of the work that was shown is online at: http://www.music.neu.edu/vmm/schedule.html
PREVIEW ANIMATION from Visual Music Marathon
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