Jon Behrens - Pure Cinema

THE PRODUCTION AND DECAY OF STRANGE PARTICLES by Jon Behrens

experiments with "creating mats with liquid latex directly on the film emulsion then bleaching off all the excess image around the latex and using the clear bleached sections of film as a canvas to paint my film poem, I used special inks that were custom made just for me called Kenville Dyes I then to re-photographed it all on my beloved JK optical printer. I also created this films sound design.
2008, 16mm color sound 7 ½ min"
Source: http://www.vimeo.com/7352980

The Production and Decay of Strange Particles. from Jon Behrens on Vimeo.

THE PRODUCTION AND DECAY OF STRANGE PARTICLES In this film I began to experiment more with creating mats with liquid latex directly on the film emulsion then bleaching off all the excess image around the latex and using the clear bleached sections of film as a canvas to paint my film poem, I used special inks that were custom made just for me called Kenville Dyes I then to re-photographed it all on my beloved JK optical printer. I also created this films sound design.
2008, 16mm color sound 7 ½ min

This film is available for rental in 16mm from Canyon Cinema
www.canyoncinema.com

For more information on me
www.jonbehrensfilms.com

SCREENING

Experiments In New Media presents an Evening of Pure Cinema by Jon Behrens
August 26th, 2010, 20h
The Grand Detour
215 SE Morrison, Suite 2020
Portland, Oregon, USA

For more information on this event see:
http://www.expcinema.com/site/en/events/experiments-in-new-media-jon-behrens

Celebrating Elfriede Fischinger on her 100th Birthday: A Benefit Exhibition and Reception

Celebrating Elfriede Fischinger on her 100th Birthday

An Exhibition and Benefit Reception for CVM’s Fischinger Preservation and Conservation Project

Hosted by Center for Visual Music in collaboration with The Goethe-Institut Los Angeles and The Fischinger Trust

"Join us for a celebration of the life of Elfriede (1910-1999), widow of the avant-garde filmmaker and painter Oskar Fischinger. The evening features an Exhibition of selected photographs, artifacts and Paintings by Oskar Fischinger, a Wine Reception, and a Screening of Home Movies, Interviews and Videos of Elfriede. Highlights include Oskar’s first Stereo Painting (1949), The Lumigraph film (1970) by Elfriede, and unshot animation drawings by Oskar. Proceeds from the evening, which includes a silent auction, will benefit the work of Center for Visual Music, a nonprofit archive engaged in preserving and promoting the Fischinger films and legacy.

Elfriede Fischinger (1910-1999) devoted nearly her entire life to her husband Oskar Fischinger’s films, artwork and legacy. She began assisting on the films in his Berlin studio in the 1930s, and after they immigrated to Hollywood in 1936, helped support the family during lean times. Oskar worked briefly for Paramount, Disney (Fantasia), MGM and Orson Welles, but could never find sufficient support to produce many of the films he planned. After Oskar's death in 1967, Elfriede began collecting, cataloguing and preserving material related to the films and paintings, with assistance from Dr. William Moritz. She traveled widely lecturing with Oskar’s paintings and films at venues worldwide including the Montreal Expo of 1967, the Berlin Film Festival, The Museum of Modern Art (New York), Telluride, and the Venice Bienalle 1982, as well as major animation festivals like Ottawa and Zagreb. She received Lifetime Achievement Awards from the Royal Academy of the Netherlands, the International Animation Society ASIFA, and Women in Film."
Source: press release

September 23, 2010, 7 pm
Goethe-Institut, 5750 Wilshire Blvd. #100, Los Angeles, CA 90036
Tickets available at http://cvm.eventbrite.com/
Or through CVM directly via phone (MC or Visa).

Visit: http://cvm.eventbrite.com/ and http://www.centerforvisualmusic.org/Fischinger

NGB - video for Jinesis music track "candy"

The new video for Jinesis's music track candy is available to watch on vimeo. The video is a tight audio visual piece, which focuses on abstract visuals to work with the music.  The video was produced by NGB. The music is by Jinesis and the style is experimental soul.  It is wonderful to see a visual music approach been taken to the video for the music track.  Using processing in conjunction with quartz composer and after effects,  "Candy" explores visuals sonically exuding the 'feeling' of music in a 'synthesized synesthesia'.

More information on the video

"The Video for Jinesis's slinky audio escapade "Candy" was designed to take geometric lines and patterns and interpret the five senses we feel when in love into just 2: audio and visual. Open to the viewers interpretation, the video's Kaleidoscopic effect is intended to unravel the premeditated ideas of set borders when we think of love."

Source: http://vimeo.com/11197314

View Video


Jinesis "Candy" (HD) (720p) from Jinesis on Vimeo.


More information on NGB

"NGB is a visualist, interactive designer, and animator living in ROC, NY. A purveyor of raumlichtmusik. His work focuses on a melding of the senses to create a 'synthesized synesthesia'. He has collaborated with international DJs/MCs, bands, composers, and dancers to create a dynamic and engrossing multi-sensual experience."
http://thengb.com/

{R}ake - electro-acoustic music and video

{R}ake

A performance series of alternative and collaborative electro-acoustic music
and video

Event:

Thurs April 22 - 8pm

Issue Project Room
in The Old American Can Factory
232 3rd Street
(corner 3rd Avenue)
3rd Floor
Park Slope, Brooklyn
718 330-0313

This Month's A/V:

Set 1 - Giles Hendrix - Video
Set 1 - Richard Lainhart - Music
Set 2 - Kamran Sadeghi - A/V
Set 3 - Bradford Reed - Music
Set 3 - Ursula Scherrer - Video

This Month's Message:

{R}ake is a performance series of alternative and collaborative
electro-acoustic music and video. Performances range from pure improvisation
to more structured pieces, with video-artists and musicians working together
in exploratory ways.

Link for more information on this event


More Info:


http://www.ursulascherrer.com
http://www.rakeav.com
http://issueprojectroom.org/

Visual Music: Sensory Cinema 1920s-1970s

Visual Music: Sensory Cinema 1920s-1970s
Northwest Film Forum and The Sprocket Society, in association with Center For Visual Music, present this special series celebrating the history of Visual Music, at Northwest Film Forum, Seattle, April 9 - 13, 2010.

Over the past century, there have been a number of prescient artists who’ve approached cinema as a tool for merging visual art and music in order to create a new art form and explore uncharted areas of synaesthetic experience. Through a vibrant history of cinematic experiments, these pioneers have been inventing the concepts, aesthetics, techniques and technologies on which our modern image-and-sound culture is based.

VISUAL MUSIC is a rare opportunity to see restored film prints of work by such master animators as Oskar Fischinger, Mary Ellen Bute, Jordan Belson, Robert Breer and many others on the big screen. In addition, we’ll host a panel discussion on Seattle’s own history of visual music in the 1960s and early ’70s.

Center for Visual Music provides three programs:

April 9 - Optical Poetry: Oskar Fischinger Retrospective

April 10 - Seeing Sound: The Films of Mary Ellen Bute (in association with Cecile Starr), and

April 11 - Jordan Belson, Films Sacred and Profane

The series also features two programs curated by NWFF: Seattle Psychedelics and Sixties Synaesthetics

CVM's Director Cindy Keefer will introduce several programs and discuss the visual music of Fischinger, Bute and Belson.

Series curator: Peter Lucas. This program is made possible by a grant from the National Endowment For The Arts.

Series Website:
http://sensorycinema.org/

http://www.centerforvisualmusic.org/


Amazon related products to purchase online.


Useful links
Still from Oskar Fischinger's Kreise (Circles) (1933), 35mm, color, sound (c) Fischinger Trust, courtesy Center for Visual Music. Link